Poetika preobraženja u Adonisovom pjesništvu

Mirza Sarajkić

Sažetak

Jedna od značajnih poetoloških karakteristika savremenog klasika arapske po­ezije i misli, Adonisa, jeste inzistiranje na stalnom preobraženju. Ovo poetičko načelo se propituje i sagledava u kompleksnom predstavljanju semantičke okosnice Adonisove poezije, a to je mit o Temmuzu. Adonis mit o Temmuzu inicijalno predočava u verističkom maniru koji, međutim, tek pokreće nepre­stani proces poetske semioze u kojoj će izvorna mitema biti raznoliko (re)konstruisan, (re)kontekstualiziran i reaktualiziran. Sve to polučuje golemu poetičku vrijednost koja će presudno markirati savremeno arapsko pjesništvo u cjelini.

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Poetics of  transformation in poetry of Adonis

One of the significant poetic characteristics of Ali Ahmad Said Esber, Adonis, regarded as the contemporary classic of Arabic poetry and thought, is the per­sistence on continuous transformation. This poetic principle is discussed and interpreted within complex imagery of the semantic pillar of Adonis’ poetry which is the myth of Tammuz. Adonis initially presents the myth of Tammuz in a veristic manner. However it is used only to deploy a continuous process of poetic semiosis in which the original myth will be variously (re)constructed, (re)contextualized and re-actualized. The result of this endeavour will be huge poetic value that will significantly mark the contemporary Arabic poetry as a whole.


Ključne riječi

Adonis; poetika; mit; Temmuz; Mihyar; Odisej; hazreti Husein; al-Halladž; semioza; poetics; myth; Tammuz; Mihyar; Odyssey; Hadrat Husayn; al- Hallağ; semiosis

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